Campione Francesco Paolo (edited by), Discipline and Senses. Hans Georg Berger. Photographs. 1972-2020.

Volume published on the occasion of the temporary exhibition entitled “Discipline and Senses. Hans Georg Berger. A Retrospective”, held at the Villa Malpensata (Spazio Mostre) in Lugano from 13 May 2021 to 16 January 2022, Skira (Esovisioni/12), Milan, May 2021. ISBN 978-88-572-4664-2. Pp. 400. 217 duotone illustrations in colour.

Introduction by Francesco Paolo Campione («The Photography of Sharing», pp.9-23).
Texts by: Andrea Lunghi («The Door», pp. 48-51); Maria Ines Aliverti («The Riese Album», pp. 52-58); Gottfried Langenstein («The Inspirer, Traveller, and Companion», pp. 80-81); Anna Muskardin («An Unexpected Rose Garden», pp.82-84); Daniel Mount («A Cascade of Petals», pp. 85-87); Gianfranco Vanagolli («A Unique Story», pp. 88-90); Richard Hodges («The Lost Village of Grassera», pp. 91-93); Paula Deitz («At Home Whether on Elba or in Luang Prabang», pp. 94-100); Fabio Garbari («Enigmas and Roses», pp. 101-104); Bernard Faucon («An Artist’s Destiny», pp. 146-148); Neungreudee Lohapon («Ajarn Hans», pp. 149-151); Silke Helmerdig («A Precious Way to Involve Communities», pp. 152-153); Ulrich Dreesen («Art and Diplomacy in Laos after the Détente», pp. 178-179); Francis Engelmann («The Roses of Wat Khili», pp. 180-182); Volker Grabowsky («The Buddhist Archive of Luang Prabang», pp. 183-185); Francesco Antonioli («An Inhabited Silence», pp. 186-187); Martin Jürgens («A Saved Treasure», pp. 188-191); Khamvone Boulyaphonh («Photography and Buddhist Memory», pp. 214-220); Wibke Lobo («A Buddhist Museum in Luang Prabang», pp. 221-223); Catherine Choron-Baix («Grasping the Unattainable», pp. 236-237); Mahdi Soleimani («An Unexpected Teacher», pp. 262-265); Saeid Edalatnejad («A Flowering Branch of the Tree of Reciprocal Understanding», pp.266-269); Felizitas von Schönborn («A Precious Glimpse to Interpret the Other», pp. 270-272); Rudolf zur Lippe («Snapshots of Essence», pp. 273-275); Majid Afshar («The Days of Qom», pp. 300-302); Christian Caujolle («Arles, Early 1980s», pp. 354-356); Boris von Brauchitsch («Silence after the Image», pp.357-365). Chronology edited by Adriana Mazza (pp. 369-376). Exhibition History edited by Moira Luraschi (pp. 377-380).
Critical Bibliography edited by Francesco Paolo Campione (pp. 381-389).
Technical Notes and List of the Works edited by Adriana Mazza (pp. 390-394).